Artists

Why Is Salvador Dalí’s Persistence of Memory So Important?

Salvador Dalí, The Persistence of Memory, 1931 Digital image copyright © The Museum of Modern Art, licensed by Scala/Art Resource, New York. Artwork copyright © 2025 Salvador Dalí, Fundació Gala-Salvador Dalí, Artists Rights Society (ARS), New York. The Persistence of Memory (La persistencia de la memoria) (1931) is a trifecta of superlatives: Surrealism’s most famous …

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Cara Romero’s Indigenous Futurist Lens Resists Erasure Through Humor and Strength

Cara Romero. ©Cara Romero/Courtesy the artist The photographs of Cara Romero operate on the precipice between the risk of death and possibility of self-dissolution. A woman buried in sand stares resolutely at the viewer, or a figure floats in a body of water below an oil field. Her lens fuses Indigenous ancestral memory with the …

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Guerrilla Girls: Fighting Discrimination, One Poster at a Time

Guerrilla Girls Kathe Kollwitz, Zubeida Agha, and Frida Kahlo during a press preview for the exhibition “Guerrilla Girls: Not Ready To Make Nice, 30 Years and Still Counting,” at the Abrons Art Center, New York, April 30, 2015 Copyright © Guerilla Girls, courtesy guerrillagirls.com. Photo: Andrew Hinderaker. As revolutionaries often do, the feminist collective known …

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Pussy Riot’s Nadya Tolokonnikova on Reclaiming Her Prison Time Through Art

Nadya Tolokonnikova: Police State, 2025, performance, at the Geffen Contemporary at MOCA. Photo Yulia Shur. Courtesy LA MOCA. Editor’s Note: This story is part of Newsmakers, a new ARTnews series where we interview the movers and shakers who are making change in the art world. More than a decade after Pussy Riot cofounder Nadya Tolokonnikova was imprisoned in Russia for …

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Who Was Helen Chadwick, and Why Was She So Important?

Helen Chadwick making Piss Flowers, Banff National Park, Alberta, Canada, 1991 Artwork copyright © Estate of Helen Chadwick. Photo: Monte Greenshields. Courtesy of Banff Art Centre, Alberta, Canada. Helen Chadwick was obsessed with the restless, fleeting vestiges of things and feelings that had vanished—what she called “fugitive traces.” Her huge breadth of multimedia installations bloomed …

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Ahead of Art Basel, Katharina Grosse Sprays the Messeplatz with Color

Katharina Grosse. Photo Jean-Christophe Verhaegen/AFP via Getty Images Over the past 40 years, German artist Katharina Grosse (b. 1961) has gained many fans for using an airless spray machine to make eye-catching, color-saturated, and immersive paintings. Many of her works have been shown in museums and galleries—one from 2004 involved spraying paint across the Contemporary …

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